Painting On Raw Canvas - Experimentations

Raw canvas was on sale at my local art store recently for $0.75/foot.  I was able to get two 3'x5' piece for only $7.50!!  Wow.  I've always wanted to paint on a larger size of canvas but was daunted by the price of big stretched canvases.

Raw  or 'unprimed' canvas hasn't been painted/primed with gesso so it will soak up paint like mad.  This makes it not as inexpensive as it may seem because you will spend a lot in paint when you use it.

I did some experimenting to find ways around this and am sharing the results, so far, with you here.  This is an incomplete work in progress.  I intend to leave this unstretched and use it as a wall-hanging when complete.

1. I washed the canvas in hot water with laundry soap and baking soda. I didn't wash anything else with these because I didn't want them to get bunched up and crease badly.  I did not to use fabric softener.

2. Cut away shredded bits that had frayed at the cut ends.  Then I dried the canvas in the dryer (once again NO fabric softener - it can prevent paint from adhering).

3. Removed from dryer right away and ironed.  This would have been hard on an ironing board so I used the kitchen table.  Because I had 2 pieces of canvas, I doubled them over so there were 4 layers of canvas between the table and ironing board at once, then flipped, rotated as needed to iron all of the canvas.  I used a spray bottle to dampen the canvas and high heat.

What I was left with: the washing, drying and ironing shrank the canvas a bit and made the weave tighter.  Exactly what I was hoping for.

My plan was to use watered down super cheap paint to cover the canvas so that I could paint on it later with less cheap paint.  However, I think I am liking the look of this so much, that it will become the actual painting - not just a background.  I used the Michael's store brand 2oz bottles that cost $0.69/bottle.  I've covered tons of the canvas so far and used less than 5 bottles!  Assuming I use 6 by the time I am done that will be $4 of paint.  Far more affordable than gessoing the canvas.

I planned to make a big mess so I took this project out onto the deck with an old sheet under it (and books to weigh down corners due to wind).

I did some weeding:

 detail of weeds which will serve as a 'resist', leaving areas unpainted under them:

Acrylic paint mixed with water (a bit more than half water) and sprayed using the Tulip Fabric Paint Cannon:

 Spraying a layer of pink:

 Adding a few objects and then spraying yellow:

 Spraying white, then removing all objects:

 detail of weed resist area:

By this time I had a blister on the finger that had been spraying so I put away the sprayer. I put paint and water into empty paint bottles and shook them up to make very watery paint (about half and half paint:water).
I waited for the top layer to dry - very fast since it was a sweltering hot, sunny day.
Then I flipped the canvas over and and began applying the paint to the back with a big brush, adding water as needed with the brush.  This side looks very primary but I will paint over it later and this canvas will become double-sided - I can rotate it on a whim :)

 I chose where I put the big washes of colour on the back because I wanted it to bleed through in specific places on the front.  For example I wanted the weeds to be greenish.

 With this technique, what happens is that the paint on the front blocks colour from bleeding through from the back.  The paint from the back only will bleed through onto any remaining parts of canvas that are still raw.  It ended up having a far cooler effect than I had expected and I'm really excited about it :-)

One of the parts of this piece that I love most is the way the colour gradation shows through in the three diagonal lines in the corner:

 I put my second piece of canvas under the piece I was painting part way through - as soon as I saw what cool effects were bleeding through onto the old sheet.  I wanted them on the blank canvas instead!

Would I do anything differently if I did this again?
Yes - first of all I would use more than one finger for holding down the spray nozzle!  :-)
I also would leave more areas raw, with only sparse splatter on them, because of how much I love the bleeding through effect.

Painting In Progress 1

I've been painting a lot more recently since I tackled (part of) the mess in my studio.
I'm so excited to have my health returned to a level where I can use acrylic paints and glue again! I am returning to my first love of using texture in painting.

Here's a work in progress:


first, paint, then a layer of glue-water mix - half and half, that I used to attach repurposed biodegradable packing peanuts! They end up shrinking and collapsing in fun ways:

It's great to keep old, damaged brushed to use for glue since the glue wrecks a little more each time anyway. You can get more life from a glue brush by washing it with HOT water and soap as soon as possible after using. I use an old toothbrush with soap right on it to scrub the glue brush.


then I used the same glue-water mix to attach pieces of printed napkins. Once the glue dries, the part of the napkin that was white becomes transparent so that just the printing shows. Flowers and a butterfly:


I have since painted the packing peanuts a shimmery pearl white and now I feel stuck in that place of wanting to add more... but afraid of messing it up!
I have soooo many paintings in an unfinished state because of this.

If you'd like to see amazing examples of fearless layered paintings, check out Tara Leaver. She is awesome! And she takes the time and effort to share photos of each step of her panting journeys! Such dedication and patience! I have learned so much as an artist from following her blog.

In Love With Texture - Sculpture Painting

Now that I am starting to be able to use acrylic paints and glue again as my chemical sensitivities are improving, I am starting to get excited about returning to my first artistic love: TEXTURE building.
I am completely in love with building interesting texture and painting over it.
I use various things to build the texture, gluing on whatever calls to me in the moment.
Tissue paper, fabric, brown paper bags, found objects and dried organic objects like leaves, feathers and seed pods... the possibilities are endless when you have glue and can use it!

Here is a sculpture painting from many years ago that I had a lot of fun making:


And another angle with less glare:


A number of years ago I lived in Montreal which has an amazing system of alleys - awesome places for finding strange little bits of this and that simply crying out to be glued onto something and enjoyed :-)
Most of my 'strange stuff stash' has been packed away, awaiting the day I could use glue again. I think it's time to get it out!


Is there anything you've been saving to use 'one day' that you could dig into right now!?

How To Make A Drawing Template From A Cereal Box

Some people can draw crisp, clean shapes freehand.
Not I.
:-)

If I want a reliable, nicely drawn shape or line, I use a drawing template or ruler.
These are normally made from stiff plastic and are very durable.
At the moment, I have ones for circles, ovals and curvy lines.
I have been wanting ones for stars but am on a budget and felt like I couldn't justify the cost.
Instead, I decided to try making one from an old cereal box!
It won't be quite as durable as a plastic one but when it becomes unusable, I can simply recycle it and make another.

I used a cereal box but you could use any thick, firm 'boxboard' such as a facial tissue box, cookie box etc.  It needs to be thicker than cardstock paper.  I don't think this would work well with corrugated cardboard - it may be too flexible.

If you can draw well, you can draw shapes directly on the cereal box.
Or you can do as I did and print out shapes to use (many free templates can be found by searching Google with words like "free printable templates").
If printing, cut loosely around the shapes, leaving some of the printer paper around the shape - this will help you know where you have cut because the printer paper will be cut away.
In the picture below, the star on the right has already been cut out though I haven't popped out the piece yet.

Attach the shapes to the cereal box with a dab of gluestick.  This makes sure the paper doesn't slip while you are cutting.  You don't need to glue every bit of it though you can if you want.
Make sure you leave space between the shape and the edge of the cereal box - this will help the template be stronger.

Using a sharp exacto or utility knife, carefully cut along the outline of the shape.

I know you know this but I have to say, "Please be careful not to cut yourself!  Keep fingers, thumbs and other body parts out of the path of the knife" ;-)

I use a metal ruler as a guide - the cork that is normally on the back of these rulers has been removed so that it lies perfectly flat to the paper.
Cut from the outside edges of the shape towards the centre - that way you don't have to worry if you cut a bit too far - the extra cut will be into the centre piece that will be discarded at the end.
When you are done cutting around the shape, gently press from the bottom up to loosen the centre piece.
*If there are bits of the corner still attached, carefully cut them with an exacto knife.  Pop out the shape, trim any rough bits, trim the edges off the cereal box, recycle the scraps (or use them for one of the ideas mentioned below) and you're done!

In this second picture you can see the utility knife I switched to when I realised my exacto wasn't sharp enough to cut easily.  You can also see a 15-point star I drew using the small star template.
I still have room on this template to ad a few small stars.

*This template could be made stronger by gluing 2 layers of cereal box together.*

If you didn't cut too far into the centre of the shapes, you can use them for other crafts!

Here's one fun way I've used them so far:
Grunge Star Rubbed Impression Page

Other Possibilities: 

• collage on one side of the shapes and glue into an art journal page
• collage both sides and hang from a string somewhere just for fun
• cover both sides in some kind of pretty handmade or cardstock paper, decorate with sequins, beads, jewels etc... hang on a string
• glue onto canvas before painting to add depth/dimension

Do you have any other ideas for using the cut-out shape?

Tips to make this template process better/different?

Did you try this and post on your blog?

Please share in the comments area :-)

Green Your Art! Ecojot Sketchbooks and Journals Review

Ecojot sketchbooks and journals are AWESOME!  I totally love them.
I love the spiral binding that allows me to lie them flat or fold them all the way over, I love the texture and brightness of the paper, but most of all, I love that they don't use chlorine to whiten the paper.

I first found Ecojot when I was searching for paper that had not been whitened with chlorine (because I react to chlorine-whitened paper).  I even have to use chlorine-free kleenex, paper towel and toilet paper (not to mention 'feminine' products ;-).

The first thing I found by them was a spiral-bound journal (the lines are veggie-based inks!).  Suddenly I could write without wearing gloves to protect my skin from the chlorine!!  Awesome!
Then I discovered... to my absolute joy... sketchbooks!
With wonderful, funky covers made with vegetable-based inks and glues - less toxic than regular inks used in printing.  They have sketchbooks with plain covers if you prefer to decorate your own.
They also have scrapbooks, folders, cards, wrapping paper and more.

In addition to using veggie based, biodegradable inks and glues, and whitening with hydrogen peroxide, Ecojot papers, including the hard fronts and backs of books, are 100% recycled and acid-free!  And the few products that have packaging use biodegradable corn-based plastic wrap.  A purchase you can feel good about on every level.

If you have high speed internet, I encourage you to check out their catalogue (will be slow on dial-up).
They also have e-cards. :-)

The sketchbook paper takes every medium I've tried on it well: ink, marker, glue, pencil and pencil crayon.  Some examples of things I've done in these sketchbooks are: Home, Joy, the as-yet-uncoloured flower shown below, and the 'Inspiration Cloud' shown in the image above (you can see a bigger version here.)

What's your favourite eco-friendly art supply or material?

Fragrance In Gluesticks

Due to the high VOC content in liquid glue, which I react badly to, I use gluesticks most of the time for my adhesive needs.
Unfortunately, the only gluestick that I had been able to find unscented has changed their formula and now adds fragrance. :-(
So I have less than one full gluestick left!  Woe is me!
I wish I knew why on earth companies feel the need to add fragrance to a glue stick.
I react to even small amounts that the average person can't smell.

If anyone knows of a glue stick that they are positive is fragrance free, can you let me know?  Unfortunately they don't label them as being scented so the only way I can find out is to buy it.

Thanks!